Review: Drift HD Ghost Action Camera

SEE THE UPDATE REVIEW OF THIS CAMERA AFTER 3 MONTHS OF USE

I’m going to start this review in an unusual place for me, with the packaging! Have you ever looked at a review and it starts with someone taking the product out of the box and you just think ‘Why? Not interested!” and then you fast forward? Yes, yes I know, I do the same. So at at the risk of boring you guys…

I picked this one up from Action Cameras UK and what a cool little box the Drift HD Ghost comes in. It’s designed so well to display the product and also to be used as for ongoing storage that I thought it merited a mention.

The Ghost is the updated incarnation of the Drift HD, which was already a pretty successful action camera in its own right. The big draw of the HD Ghost for me was the remote control unit.

Drift Ghost Camera and RemoteBoth the remote and the camera have a durable rubberised coating. If you’ve experimented with one of the cheap and cheerful ‘Chinese’ eBay action cameras, the jump in quality to the Ghost is very evident indeed, as is the price of course. It feels satisfyingly heavy giving me the impression of quality but perhaps it would be a little too weighty to be used as a helmet cam. Since I plan to mount this on a 4×4 and give it some abuse, that’s not an issue for me.

Now as is my Dummy remit, reading the manual before using the camera is not my style. My first test was to jump straight in. I mounted the HD Ghost on one of my VacMounts Pro series suction mounts (after all it’s more expensive than my usual cameras and I didn’t want to lose it) and went for a day’s green-laning in the Oldham and Holmfirth area. The weather was horrible, so perfect as a first test for something claiming to be an action camera.

Camera Mounting

One issue that irritated me about the HD Ghost was the way it mounted. The standard camera screw thread is located on what is in fact its side. To me it appeared to be the base so when I mounted it for the first section of testing, a laning day in Oldham, all the footage was on its side and I had to flip it in post-processing, which lost the effect of the 170 degree lens. The thread seems poorly located to me and I expect everyone to make a similar mistake the first time they use the camera. Okay, you can spin the lens around but the more you have to mess about with an action camera to set it up, the less I see it as an action camera.

Camera Lens and Waterproofing

Drift Ghost Fish Eye LensThe weather during this testing was horrible: driving rain and a dark brooding day. When I started watching my footage back the first thing I noticed was that all of my cameras with a traditional flat lens had collected beads of rain and a lot of the footage from them was useless. The Ghost HD has that fish eye lens in a glass dome and whilst rain did hit it and stick for a short while, the shape encouraged the rain to run off. The first gust of wind or bit of speed and the lens would clear again. Definitely score one for the Ghost. As for being waterproof, the weather was simply horrible all day long and short of being submerged I couldn’t have tested it any more thoroughly. The Drift Ghost came out with flying colours.

Battery life was comparable with any other camera I’ve used in the action area. I started with a fully charged battery and with frequent activation via the remote, the camera battery lasted about 3 hours. The remote unit lasted all day without any issues.

Drift Ghost RemoteWhilst we are on the subject of the remote, wow, what a feature that is! It flashes in different colours to indicate to the operator what mode the camera is operating in and what the camera is currently doing. The camera options to take single pictures or bursts of pictures (which you might use for stop motion photography?). I stuck with it in standard video mode because that works best for my kind of action photography. However I did test both modes and they worked perfectly and the images were of a good quality. I loved the fact that when the camera was recording, the remote flashed red and it gave me great control of the footage I was shooting and saved me hours in the editing room.

Sound Quality

When I did start editing the footage I noticed that the sound recorded by the Ghost was very subtle and of low amplitude. Within the sound recording options I found I was 2 clicks off the maximum setting but even cranking it up to full, the volume level was pretty low. It did however eliminate wind noise like no other camera I’ve used to date so the low volume can be fixed during editing.

To start my testing of the video quality I took the Ghost HD on a Green Lane day with my local Land Rover club during which I also filmed with some of my favourite Kodak Playsport ZX3 cameras (review here). The lens on the Kodak is superior to anything else I’ve used so straight away it had a lot to live up to. I also took some side-by-side sample shots so you could see how the cameras transitioned between light and dark conditions. I did also include my expensive Panasonic Bridge Camera in this test, which I would never mount on my bonnet for anything other than a test, but I thought it would set a bench mark for everything else!

Everything was testing using VacMounts’ professional quality mounting systems, which I have already reviewed and found to be quality kit at the right price.

I’d suggest you watch this short video because the results could come down very much to personal taste. The colours and quality from the Drift Ghost are what I would demand from a camera costing £250. That coupled with the genius remote system make it a major contender and something I am considering buying for myself (I had a demo unit for this review). My only issue is the way it handles anything other than perfect lighting situations. For use in woodland and overgrown lanes therefore the camera can be found lacking – in fact not as good my cheap and cheerful Kodak Playsports.

[easyreview title=”Dummy rating” icon=”dummy” cat1title=”Ease of use” cat1detail=”Its okay. Not too complex but the mounting angle is just plain weird.” cat1rating=”4″ cat2title=”Features” cat2detail=”Honestly can’t think what else it could have. Remote is genius, low light filming average.” cat2rating=”4″ cat3title=”Value for money” cat3detail=”Quite simply, it needs a better lens. for this money it should work in low light.” cat3rating=”2.5″ cat4title=”Build quality” cat4detail=”Its solid and robust and oozes quality.” cat4rating=”4.5″ summary=”It’s a cheaper more flexible Go-Pro with the same frailties but some nice bells & whistles.”]

Review: Car & Action Camera Mounts from VacMounts – Single Base Mount & Triple Mount

When I first started using action cameras to film 4×4 trips, I struggled for a long time trying to find a mount. My two main considerations were that the cars were bouncing around significantly and I was using expensive camera kit. A mount then had to be reliable and able to absorb some of the shock.Land Rover Action Camera

There were a number of offerings on the market but these fell into two categories. 1: made in plastic with rubbish suction clamps or 2: very professional and large but costing 3 times the value of my cameras. I bought a few of the plastic versions; some of these were quite expensive devices, but in my opinion, if it’s plastic, it’s junk. I have a drawer in the garage stuffed with broken bits of plastic clamps, suckers and brackets. I didn’t even start down the pro mount route as I run 6 cameras on some days out and quite simply that was out of my budget.

So hunting around eBay for something that might do the job, quite by chance I stumbled on VacMounts.

VacMounts TripleThe first thing to note is that they are made of anodised aluminium and come either in a triple or a single ‘super’ suction configuration. I was immediately drawn to the triple mount because it looked like it would give a good firm base for the kind of phone style cameras I use.

The suction pads are each 8cm in diameter and operate via a simple 90° lever mechanism, which seems incredibly robust – certainly compared to the plastic offerings I have used so far.

I always try to position my cameras so you can just see part of the bonnet or bodywork because it better orientates the viewer. I tested the suction on a variety of car bonnets and windscreens with finishes ranging from perfectly polished paint to vinyl covered bonnets, right through to poorly brush-painted panels.

An interesting feature of the triple mount is that the support arms are slightly pliable. This has two effects. Firstly, it lets you alter the angle of each cup to suit the surface. Secondly and most importantly for me, they absorb vibration and shock to help keep my images smooth and stable.

VacMounts Triple SuctionJust a few small pointers to ensure this mount works faultlessly. Always keep the suction cup and the surface clean. The only failure I had with the triple suction mount was when I put it on a mud covered bonnet without giving it a quick rub first. Also, make sure you moisten the cup before applying.

At the camera connection end of the mount there is a similar quality feel. A triple jointed standard 1/4″ thread ensures you can mount the camera at any angle. With metal lock nuts and joints everything feels high quality and reliable. Certainly for the smaller action cameras I use, I feel like I’ve found the perfect mount.

VacMounts Single SuctionMoving onto the single suction mount: it’s an interesting mount and at first the fact it was a single sucker made me think it would be less reliable. This uses a chuck key and a larger sucker that is 10cm in diameter. The fact it uses a removable key rather than an attached clamp means you are unlikely to unlatch the camp inadvertently, something that has happened to me occasionally when I’ve pushed my Land Rover through dense vegetation. Also the chuck key adapter allows you to activate a 180 degree turn, providing a far increased level of suction. The 1/4″ thread with double jointed fastenings is then the same as the triple mount.

In tests I’ve found that both mounts produce nearly identical results. They both seem to grip incredibly well on any half-decent surface. The triple mount suction cups have failed me once completely on a badly painted bonnet and a number of times just a single cup has come loose. The single suction cup always seems to be locked very securely indeed and although I don’t get quite the shock absorbing properties, I have to say I feel a little more confident of it.

As a budget camera mount for vehicles, both these VacMounts are way ahead of the curve. They both offer unparalleled features with the highest level of build quality I have seen in this area. Combine that with a good action camera and you have an unbeatable combination.

The triple suction mount can be found on eBay for £29.95 and the single suction cup for £13.95. Both a bargain for what they offer.

You can also visit the VacMounts website.

Visit the VacMounts store on eBay to find out more.

[easyreview title=”Dummy rating” icon=”dummy” cat1title=”Ease of use” cat1detail=”Pretty obvious stuff once you understand the surface must be clean.” cat1rating=”4.5″ cat2title=”Features” cat2detail=”Perfect for purpose. Triple mount has let me down once. Fortunately no damage to my camera.” cat2rating=”4″ cat3title=”Value for money” cat3detail=”You will be paying considerably more anywhere else for mounts of this quality.” cat3rating=”5″ cat4title=”Build quality” cat4detail=”Infinitely better quality than anything else in its price range.” cat4rating=”5″ summary=”If you want a reliable action camera mount, seriously, I wouldn’t look any further.”]